| Interspersed above among stationary-camera shots of Cabiria are seven tracking shots that exemplify Giovanni Pastrone's approach to the moving camera. |
| The motion is slow, almost imperceptible. Scratching out a love note, a pencil might drift with such languid purpose. The tracking hypnotizes. We inch into another's trance. |
| A 21st century sound track—not Pastrone's—accompanies these Cabiria tracking shots. |