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This Movie Maker 2012 exercise teaches: |
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1. Download this footage. | |||||||||||||||||||||||||||
2. Create a new widescreen Movie Maker project. Call it "Imagination." Import "FauxMelies1" into your collections. Preview it in the preview pane. | |||||||||||||||||||||||||||
Use Méliès' original special effect—stop-action photography—to wrest "magic" from this 2 minutes 30 seconds shot. The camera in "FauxMelies1.mov" remains immobile, as Méliès' camera almost always did. | |||||||||||||||||||||||||||
Trim "FauxMelies1" into 11 shots. Terminate and begin sequential shots where an actor freezes or "reacts" by cutting away any intervening footage. For instance, create shot 1 and shot 2 this way: | |||||||||||||||||||||||||||
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You just worked beside Méliès to re-invent the original special effect—stop-action cinematography. You're done! Your movie looks something like this. | |||||||||||||||||||||||||||
3. Think about it more? Download this footage to imagine reworking it using Méliès's third favorite illusion, superimposition. With stop-action, freeze frames, and layering. Méliès made this, L'homme Orchestre (1900). | |||||||||||||||||||||||||||
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