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Trader Horn (1931), dir. W.S. Van Dyke |
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Above: Edwina "The White Goddess" Booth, Duncan Renaldo,
Harry "Trader Horn" Carey, and Mutia Omoolu |
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MGM dispatched Van Dyke and his crew of Culver City sound men and camera operators to shoot and record the movie in Kenya and Uganda, the first synchronous sound film shot on location in Africa. The synch sound documentary by Martin and Osa Johnson—Congorilla—followed in 1932. |
The shooting of Trader Horn was matinee movie Hollywood at its 1930s apogee: accidents, moonlight, and camp-tent romances. Tse-tse flies swarmed. Locusts marauded. Booth fell out of a tree. Carey almost lost the foot he dangled above crocodiles. Barefooted, unnetted, and skimpily clad, Booth contracted "mysterious jungle diseases" (malaria), languished for years, and sued MGM for her career-ending illness. In the movie, she spoke not a word of English, grunting instead in "African dialect." One Kikuyu crewman succumbed to a charging rhino; another slipped into the gullet of a crocodile. Duncan Renaldo's wife sued Booth for alienation of affection. |
Inscribing a copy of Horning Into Africa, the memoir he wrote on filming Trader Horn, Van Dyke wrote " To the girl of my secret adoration—Eleanor Packer—from W.S. Van Dyke. In tiny script he added, "Eleanor, I've never dared say what I wanted to but I can think what I damn please. Van." |
[Myra Loy played "Eleanor Packer" in Van Dyke's production of Manhattan Melodrama (1934). Van Dyke and Myrna Loy collaborated on nine films together, most notably The Thin Man series.] |
Nominated for "Best Picture" of 1930/31, Trader Horn lost to RKO Radio Pictures' Cimarron. |
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